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This February, CAFILM invites you to join us each Saturday for a special series celebrating the power, legacy, and living spirit of Black cinema.

Opening with Raoul Peck’s I Am Not Your Negro and followed by landmark works including Bill Duke’s The Killing Floor (MVFF08), Finally Got the News! by Stewart Bird, Peter Gessner, René Lichtman and John Louis, Jr., then closing with Mark Decena’s Farming While Black (MVFF46) – this retrospective brings together films that made history and continue to resonate today.

More than a series of screenings, this is an invitation to come together as a community to experience these films on the big screen, and celebrate Black stories, voices, and filmmakers.

VIEW TRAILER

I AM NOT YOUR NEGRO
SATURDAY, FEB. 7 • 11:00 AM

ABOUT THE FILM

I AM NOT YOUR NEGRO is an examination of racism in America through the lens of James Baldwin’s unfinished book, REMEMBER THIS HOUSE. Intended as an account of the lives of Medgar Evers, Malcolm X, and Martin Luther King, Jr., each of whom James Baldwin personally knew, only a 30-page manuscript of the book was ever completed.

Combining Baldwin’s manuscript with footage of depictions of African-Americans throughout American history, I AM NOT YOUR NEGRO uses Baldwins words to illuminate the pervasiveness of American racism and the efforts to curtail it, from the civil rights movement to #BlackLivesMatter. Narrated by Samuel L. Jackson, I AM NOT YOUR NEGRO explores the continued peril America faces from institutionalized racism.

Director: Raoul Peck (US 2016) 93 min

GET TICKETS

$11 General | $11 Seniors & Youth | $9 CAFILM members

VIEW TRAILER

THE KILLING FLOOR
4K RESTORATION
SATURDAY, FEB. 14 • 11:00 AM

ABOUT THE FILM

Praised by The Village Voice as the most “clear-eyed account of union organizing on film,” THE KILLING FLOOR tells the little-known true story of the struggle to build an interracial labor union in the Chicago Stockyards. The screenplay by Obie Award-winner Leslie Lee, based on an original story by producer Elsa Rassbach, traces the racial and class conflicts seething in the city’s giant slaughterhouses, and the brutal efforts of management to divide the workforce along ethnic lines, which eventually boiled over in the Chicago Race Riot of 1919.

The first feature film by director Bill Duke, THE KILLING FLOOR premiered on PBS’ American Playhouse series in 1984 to rave reviews. In 1985 the film was invited to Cannes and won the Sundance Film Festival Special Jury Award. It has been showcased at the Lincoln Center and festivals around the world.

Director: Bill Duke (US 1984) 118 min

OFFICIAL SELECTION • MVFF08


NEW 4K RESTORATION
Laboratory services by UCLA Film & Television Archive Digital Media Lab; Audio Services by Deluxe Entertainment Services Group, Inc.; Digital Color Grading by Planemo (Berlin) and Alpha-Omega digital (Münich). Special thanks to Elsa Rassbach and the Sundance Institute Collection at UCLA Film & Television Archive.

GET TICKETS

$11 General | $11 Seniors & Youth | $9 CAFILM members

VIEW TRAILER

FINALLY GOT THE NEWS!
SATURDAY, FEB. 21 • 11:00 AM

ABOUT THE FILM

FINALLY GOT THE NEWS is a forceful, unique documentary that reveals the activities of the League of Revolutionary Black Workers inside and outside the auto factories of Detroit. Through interviews with the members of the movement, footage shot in the auto plants, and footage of leafleting and picketing actions, the film documents their efforts to build an independent black labor organization that, unlike the UAW, will respond to worker’s problems, such as the assembly line speed-up and inadequate wages faced by both black and white workers in the industry.

Beginning with a historical montage, from the early days of slavery through the subsequent growth and organization of the working class, FINALLY GOT THE NEWS focuses on the crucial role played by the black worker in the American economy. Also explored is the educational ‘tracking’ system for both white and black youth, the role of African American women in the labor force, and relations between white and black workers.

Directors: Stewart Bird, Peter Gessner, René Lichtman, John Louis, Jr. (US 1970) 55 min


John Louis Jr. was a member of the League of Revolutionary Black Workers, who was assigned to work with the team of white filmmakers producing the film to ensure its truthfulness and integrity. His participation was so profound that he was credited as one of the film’s directors.

GET TICKETS

$11 General | $11 Seniors & Youth | $9 CAFILM members

VIEW TRAILER

FARMING WHILE BLACK
SATURDAY, FEB. 28 • 11:00 AM

ABOUT THE FILM

In 1910, Black farmers owned 14% of all American farmland. Over the intervening decades, that number fell to 2%, the result of racism, discrimination, and dispossession. Director Mark Decena adapts Leah Penniman’s 2018 book into a visually eloquent documentary that chronicles Penniman and two other Black farmers’ efforts to reclaim their agricultural heritage.

Collectively, their work has a major impact, as each is a leader in sustainable agriculture and food justice movements. Decena outlines their contributions to regenerative agricultural practices, his watchful camera following the trio as they grow food, build community, advocate for themselves, repair the wounds of the past, and create a prosperous future. A rich guide to a world of activists, storytellers, healers, and change-makers, Farming While Black manifests alternate visions of humanity’s relationship to the land.
Director: Mark Decena (US 2023) 60 min

OFFICIAL SELECTION • MVFF46

GET TICKETS

$11 General | $11 Seniors & Youth | $9 CAFILM members

THANK YOU TO OUR COMMUNITY PARTNERS

DOMINICAN UNIVERSITY LIFELONG LEARNERS (OLLI)   |   MARIN CITY HISTORICAL & PRESERVATION SOCIETY   |   PERFORMING STARS OF MARIN  

CHRISTOPHER B. SMITH RAFAEL FILM CENTER

1118 Fourth Street
San Rafael, CA 94901
415.454.5813 Main Office
415.454.1222 Info-Line for Showtimes
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