WEDNESDAY, MARCH 27 • 7:15
$14. General | $10.50 Seniors & Youth | $8.50 CAFILM members
THANK YOU TO OUR COMMUNITY PARTNER
ASIAN AMERICAN ALLIANCE OF MARIN
SCREENING + CONVERSATION
WITH AUTHOR KATIE GEE SALISBURY
An intoxicating mix of adventure, romance, and pre-Code* salaciousness, Shanghai Express marks the commercial peak of an iconic collaboration. Marlene Dietrich is at her wicked best as Shanghai Lily, a courtesan whose reputation brings a hint of scandal to a three-day train ride through war-torn China. On board, she is surrounded by a motley crew of foreigners and lowlifes, including a fellow fallen woman (Anna May Wong), an old flame (Clive Brook), and a rebel leader wanted by the authorities (Warner Oland).
As tensions come to a boil, director Josef von Sternberg delivers one breathtaking image after another, enveloping his star in a decadent profusion of feathers, furs, and cigarette smoke. The result is a triumph of studio filmmaking and a testament to the mythic power of Hollywood glamour.
Director: Josef von Sternberg (US 1932) 82 min.
*The “Pre-Code” Era was a short time, roughly 1930 to 1934, when American movies were at their most raucous and racy.
Author KATIE GEE SALISBURY will join us to discuss the glamorous and groundbreaking legend that was Anna May Wong and share insights from her new book Not your China Doll: The Wild and Shimmering Life of Anna May Wong.
Set against the glittering backdrop of Los Angeles during the gin-soaked Jazz Age and the rise of Hollywood, this debut book celebrates Anna May Wong, the first Asian American movie star, to bring an unsung heroine to light and reclaim her place in cinema history.
Before Constance Wu, Sandra Oh, Awkwafina, or Lucy Liu, there was Anna May Wong. In her time, she was a legendary beauty, witty conversationalist, and fashion icon. Plucked from her family’s laundry business in Los Angeles, Anna May Wong rose to stardom in Douglas Fairbanks’s blockbuster The Thief of Bagdad. Fans and the press clamored to see more of this unlikely actress, but when Hollywood repeatedly cast her in stereotypical roles, she headed abroad in protest.
Anna May starred in acclaimed films in Berlin, Paris, and London. She dazzled royalty and heads of state across several nations, leaving trails of suitors in her wake. She returned to challenge Hollywood at its own game by speaking out about the industry’s blatant racism. She used her new stature to move away from her typecasting as the China doll or dragon lady, and worked to reshape Asian American representation in film.
Filled with stories of capricious directors and admiring costars, glamorous parties and far-flung love affairs, Not Your China Doll showcases the vibrant, radical life of a groundbreaking artist.